Studio Notes: Revisiting my visual diaries as drypoint prints

These are my first drypoint prints for decades - Akinesia and Goddess which I did today. My pet project is reworking a selection of my visual diaries over the past 3 decades. I wanted to do a series of prints, but it's been two decades since I did any etchings and I don't own a press. So, I'm incredibly grateful to printmaker Monika Lukowska-Appel here in Perth in Western Australia at the Midland Arts Junction who ran a workshop for artists in my area. The Goddess in particular is an image that came out of sketches for my painting Australia a Prophecy but in the end I went with a painting of the Dior model from 1947’s New Look Collection.

Goddess, drypoint print U/S on cotton rag, (giclee edition, Nov 2021, Carl Gopalkrishnan

Akinesia, drypoint print U/S on cotton rag, Nov 2021 Carl Gopalkrishnan

Carl Gopalkrishnan (aka Gopal)

Over the past two decades, Carl Gopalkrishnan's artwork has garnered international recognition for his ability to forge meaningful connections between art & literature and the complex dynamics driving international law, intervention and global conflict. Carl transforms familiar cultural artefacts into new myths so legal and military minds can explore the creative, subconscious and emotional stories that shape their doctrines of war & peace.

https://www.carlgopal.com
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Studio Notes: The Last Days of Disco, Psychological Pandemic Landscapes

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AUKUS Chronicles/Studio Notes: Painting the ‘Indo-Pacific’ through the 18th century lens of English poet William Blake