Blog Archives

Blog Archives

Blog Archives

Blog Archives

Over the past two decades, Carl Gopalkrishnan's artwork has garnered international recognition for his ability to forge meaningful connections between art & literature and the complex dynamics driving international law, intervention and global conflict. Carl transforms familiar cultural artefacts into new myths so legal and military minds can explore the creative, subconscious and emotional stories that shape their doctrines of war & peace. (Photograph copyright © Amanda Brown 1992)

Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

New Publishing: My art feature for The University of Michigan Law School’s left student zine Radical Commons! March 2024, USA

I have two articles in Radical Commons! (or Radco! as it is known by the student body) this month. Radco! is a new left student zine started by students at the University of Michigan Law School which was formed to create a safe space for left students in what is recognised as a fairly conservative profession…They also published my 27th February blog post on the death of Aaron Bushnell, may he rest in peace.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

New Publishing: In VALA 4 ‘War+Peace’, William Blake untangles complexity & our 2022 UK Defence Doctrine, Nov 2023, London, UK

My visual essay in VALA, the journal of The Blake Society in London, is called "A Field Manual for A Lost Soldier: William Blake's The Marriage of Heaven and Hell as a Course in Complexity". Their theme is War & Peace. Marriage can help us unravel the complexity of our times. Military leaders also need reminding that limiting their creativity to technologies to kill blinds them to the shape-shifting qualities of Blake’s God and Satan.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

AUKUS Chronicles: The Mental Fight (Lamb of God), unique state print, watercolour

A watercolour unique state version of my drypoint print The Mental State/Lamb of God (2023). A unique state is a one-off art piece because the artist changes the print by applying other media such as paint or gold leaf. As with the print, the theme is the same, and I did a post about this a while ago. The colour changes the meaning for me. I uploaded this print because the colours felt unworldly, like a prayer.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

New Publishing: Art in The Australian Fabians Review, September, Issue 5, 2023

I have new artwork in the most recent Issue 5 of The Australian Fabians Review 2023. Their editor invited me to share my painting ‘Australia a Prophecy’ under their topic of AUKUS in a large issue with many writers expressing themes shared by the Australian wing of the Fabian Society, an international labour movement think tank which has its origins in the UK in 1884.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

Rearview Mirror: As US nuclear submarines move into my hometown, I revisit my dry pastel "Ship of Fools" from 1992

I was reminded with all the stories around the Indo-Pacific and naval activities of some artworks from my 1992 solo exhibition Dualities. I was 24 and they have that graphic style from the era as I was doing graphic design back then before I discovered paint and canvas. It is the same theme, starting with dry pastel on paper in very vivid colours (1). All titled the same, Ship of Fools. This first image was actually the last incarnation. I started off with some pen and ink cross hatch drawings (3), the theme then evolved into an etching/aquatint on cotton rag (2).

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