Blog Archives

Blog Archives

Blog Archives

Blog Archives

Over the past two decades, Carl Gopalkrishnan's artwork has garnered international recognition for his ability to forge meaningful connections between art & literature and the complex dynamics driving international law, intervention and global conflict. Carl transforms familiar cultural artefacts into new myths so legal and military minds can explore the creative, subconscious and emotional stories that shape their doctrines of war & peace. (Photograph copyright © Amanda Brown 1992)

Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

Open Letter: “Blake is for everyone”. The Blake Society’s Open Letter to The Guardian, 4th March 2024 UK

I was very moved by this open letter. It’s not often you feel that a talk you gave or paper you wrote really connected with anyone. I feel very welcomed by The Blake Society, and I really think many people of different cultural and faith background throughout the Asia-Pacific would enjoy Blake’s ideas and find gems of thoughts very aligned with Eastern spiritual mythologies and cultures.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

Studio Notes: Bildungsroman - a self-portrait

Bildungsroman is a self-portrait which continues my exploration of the universal spiritual and philosophical canon to ‘Know Thyself’. I have followed a multi-faith journey held together by the creation of a personal God that expresses my own culture. We talk in private, so painting us speaking in metaphors maintain that sacredness…

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

Studio Notes: Drawings. I Can’t Breathe either.

This drawing is how I felt after watching George Floyd die on the internet and the BLM riots and the Covid 19 pandemic lockdown, I can only post this and hope we will get through this together. SInce then we’ve also had January 6th in the US….

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

Studio Notes: New Painting: Suppertime and the different shades of our experiences of racism. Music really is our silent voices

The title is from Ethel Waters' rendition of Suppertime from Irving Berlin's 1933 broadway revue - As Thousands Cheer. (play the song on You Tube below). People wouldn't know but this was an innovative revue based on a newspaper and the events of the day (remarkable, you'd never get that bravery today). I re-drew Obama's face with olive leaves, sort of a mask of Caesar.

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